In Coralie Fargeat's brand new feminist terror film The Substance, damaging social beauty specifications are the actual beasts. They (female objectification, the disposal of "the aged," the expansion of a sector built on physical body adjustment) nourish a beast of a cycle that leads Demi Moore's fading television individuality https://lupevelez-movies.blogtov.com/10464605/margaret-qualley-the-substance
The Substance (2024)
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